Musical (1991)


Musique:
Paroles:
Livret: Pam Gems
Production à la création:

In 1920s Hamburg, Professor Raat, a tyrannical and repressed elderly school-teacher, pursues a group of errant pupils into a cheap waterfront cabaret where he becomes hopelessly infatuated and obsessed with Lola, the seductive, skimpily clad resident chanteuse. Eventually she marries him for his money and then leaves him when the money has gone. At the same time, he has been rejected by polite society because of Lola’s profession, and takes his revenge by cultivating a nice line in blackmail. However, his enemies get the better of him, and he ends up being forced to play the clown (literally) for their benefit.



Ich bin die fesche Lola,
Nimm’ dich in Acht vor Blonden,
Jonny,
Falling in Love Again

Aucun dossier informatif complémentaire concernant Blue Angel (The)

Aucun dossier informatif complémentaire concernant Blue Angel (The)


Version 1

Blue Angel (The) (1991-08-The Other Place-Stratford upon Avon)

Type de série: Original
Théâtre: The Other Place Theatre (Stratford-Upon-Avon - Angleterre)
Durée :
Nombre :
Première Preview : Inconnu
Première: 29 August 1991
Dernière: Inconnu
Mise en scène : Trevor Nunn
Chorégraphie : David Toguri
Producteur :
Star(s) :

Version 2

Blue Angel (The) (1992-05-Globe Theatre-London)

Type de série: West End Transfer
Théâtre: Gielgud Theatre (Londres - Angleterre)
Durée : 1 mois 1 semaine
Nombre : 45 représentations
Première Preview : Inconnu
Première: 20 May 1992
Dernière: 27 June 1992
Mise en scène : Trevor Nunn
Chorégraphie : David Toguri
Producteur :
Star(s) :
Avec: Kelly Hunter (Lola), Philip Madoc (Professor Raat), Judith Bruce, Sidney Livingstone, Peter-Hugo Daly, Cheryl Ferguson, Sarah Flind,
Commentaires : Based on Josef von Sternberg’s famous film with Marlene Dietrich, this began at the RSC’s studio at Stratford-upon-Avon in 1991 and was then brought to London. By coincidence Marlene Dietrich herself had died just prior to the opening night. Despite some excellent central performances, it was generally felt that this “studio” show did not really work now that it had transferred to a full-size theatre.

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